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Features: Blues , Rock , Metal , Punk , Folk , Gospel_Christian , Jazz , Classical , Prog , Country , Pop , Funk , Soul , R&B , Hip-Hop , World , Reggae, Electronica
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Reviews: CD , DVD , Book , Concert , Blues , Rock , Metal , Punk , Folk , Gospel_Christian , Jazz , Classical , Prog , Country , Pop , Funk , Soul , R&B , Hip-Hop , World , Reggae, Electronica
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Advanced , Intermediate , Beginner , Blues , Rock , Metal , Punk , Folk , Gospel_Christian , Jazz , Classical , Prog , Country , Pop , Funk , Soul , R&B , Hip-Hop , World , Reggae, Electronica , Technique
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Electric , Acoustic , Amp Head , Cabinet , Combo Amp , Preamp , Chorus , Phase , Flange , Filter , Fuzz , Overdrive , Volume , Distortion , Octave , Pitch-Shift , Reverb , Compression , Delay , Strings , Pickups , Cables , Cases , Hardware
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 | Evan Marien: Between Worlds [Art of Life] : Youth will be served, the
old saying goes, and 23-
year-old Berklee graduate Evan Marien’s selfproduced
solo debut Between Worlds serves
notice that there’s a new bass monster in
town. Armed with ridiculously fluid ,3/1/2010 1:00:00 AM |
| | Converge: Axe to Fall [Epitaph] : From the opening punk
metal, bass-and-drums,
5 4 runaway-train beat
of “Dark Horse,” you know you’re in for a
frightening ride from metalcore pioneers
Converge. The band might not be typical
BP Recommends fare, but Axe to ,3/1/2010 1:00:00 AM |
| | Keb’ Mo’: Live & Mo [Yolabelle] : After winning multiple
Grammy’s and other accolades,
blues-based
singer songwriter Keb’ Mo’ is at the point
where you just know his records are going to
be good. Live & Mo’ contains both live tracks—
with Reggie McBride ,3/1/2010 1:00:00 AM |
| | Augury Fragmentary Evidence : Here’s a welcome development—
as death metal
turns ever more technical, the bass is becoming
not just increasingly audible (there’s a
start!), but more complex, counterpunctual,
and essential to the actual song. That’s ,2/1/2010 3:45:00 AM |
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| | The New Golden Age Of Metal, The Complete Interviews : Yes, there really is a cartoon character on the cover of the April 2010 issue of Bass Player.
But that’s no ordinary animated dude; it’s William Murderface of the
quantruple- platinum, über-brutal metal band Dethklok, an act so ,3/9/2010 1:05:00 PM |
| | William Murderface Of Dethklok : You can’t put into words what I do. It’s like asking Robert DeNiro how
to act, or why George Burns was a comedy genius. I mean, we’ve just got
the goods. There’s no secret formula. And I’m sure all the sad
struggling bassists ,3/9/2010 12:00:00 PM |
| | Steve DiGiorgio, Extreme Metal Session Ace : I just gradually became this “session player.” I love it. I don't care
what it's called, I'm just so happy to just plug in and jam with
somebody else. ‘Cause everyone has killer ideas, no matter what level
of musician or what ,3/9/2010 11:45:00 AM |
| | Sharlee D’angelo of Arch Enemy : I think it’s great actually that people are getting interested in
musicianship as such again – especially the guitar players, you’d be
amazed by how fast they are, and their technique and everything. And
some of them, you give ,3/9/2010 11:30:00 AM |
| | Ryan Martinie of Mudvayne : It's the relationship. It's not about how good or how fast or how many
inversions I can play. It's the relationship that my parts bear to the
other things that are happening within the song and whether it's
musical or not, ,3/9/2010 10:30:00 AM |
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